| Nice Little Penguins’ “Flying”
is already an evergreen. Ten years after its release, it is still
played by radio stations all over the world. Numerous solo artists
and bands from many countries have copied the song and the penguins
are frequently asked permission to do covers both in Danish, Swedish,
Norwegian and German. Until now the answer had been a polite no –
with one exception: The song was covered with Chinese lyrics about
a year ago with the consent of Nice Little Penguins. “Flying”
has an overall popularity. The song is being used as a signature tune,
as a battle song, in jingles and in TV commercials. You can also hear
it as a background music, as dance music and last but not the least,
as a merry pop tune in every format of radio stations. But only a
few people know the story of the song. We
go all the way back to 1980 when Michael wrote the score as part
of his forthcoming music exams at the College of Education. Originally,
“Flying” was written as an act of desperation minutes
before the deadline. The task was to write/arrange music that would
be suitable for instructions in front of a panel of students and
teachers. The original title of the song was “Mickey Mouse”,
and the lyrics were about what might be Mickey’s alter ego,
a fucked up mouse on drugs, tired of always being this nice and
harmless cartoon hero. Mickey wanted to be in the air, so to speak,
flying high and freely. And so he did, at least until Michael’s
exams were passed.
The ukulele that Michael wrote the song on became
the joke of Christmas 1980 in the Kolster family. Michael had wished
himself a new guitar for Christmas, but the financial situation
that year only allowed his wife to buy him a low-price Bruko uke,
almost unable to stay in tune. Despite his deep disappointment,
Michael learned a few chords on the instrument, and thus the outline
of the song was a fact. Together with the ukulele, however, the
song was soon forgotten after the exams and it was not until a couple
of years later that Michael dared play the song for Bo after a beer
or two. Bo certainly did not like the lyrics but he was thrilled
by the melody. Bo came up with a Danish lyric suggestion, but it
did not really work. At last Michael killed his darling and wrote
Mickey out of the original words, kept the chorus and renamed the
song after the repetitive hookline “Flying”.
Bo and Michael used to play the song every now
and then in Mænd Såmænd when they were gigging
the small cafés and clubs. People hardly noticed the song,
and although they were responding politely, they did not know that
they were actually witnessing the premiere of a Danish pop classic.
Not even when Bo and Michael played the song live at a local radio
station was there much of a reaction to be noticed. Somehow, the
song would survive in the back of their minds and it would take
a couple of years before things started happening.
When the band was collecting and rehearsing new
material for the second album, Bo and Michael played the song for
Carsten who immediately captured the atmosphere of the melody and
completed the arrangement with a drum track that would be a mixture
of traditional skiffle and music hall. Already after the first take,
the trio had created the arrangement that would eventually become
the final take on the “Flying” album. The penguins were
convinced they had something going on because the song almost played
by itself. Nevertheless, “Flying” was far away from
the penguins’ musical expression and the demo of the song
was made more like a joke and placed as the last title in the line
of demos for the album.
The demo of “Flying” was recorded
in the autumn of 1993 one late, yet merry, evening in The Albert
Hall Studios in Fredericia. It became a very shady version with
a ukulele completely out of tune as the pivotal point of the song.
The recording also featured a solo on ordinary wine glasses, and
to finish the song, Michael (who was a heavy smoker at that time),
did a pretty scary laughter. This is the exact version you can download
for free on this page. Hans Henrik Præstbro, the keyboard
player and new valid member of Nice Little Penguins was recording
the take on a 16- track recording machine but he did not play one
note on the song – neither did he play on the album track.
Hans, of course, had been quite annoyed that he did not contribute
with even the slightest note on the track. That would have given
him a share of the income the song had already given – and
is continuously giving the participating musicians in the future.
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